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Although there will be no damage done to your car.

Drive at high speeds and try not to crash. Make drifts or stunts across the city map, it is all on you. Pick from stunning variety of super cars and experience the power of those engines. Collect checkpoints as you drive around the city. The drums are maybe up a bit high with a bit much reverb on, but it's minor, overall it sounds really good.Drive around the streets of Miami and explore the city in its full glory. I like the way yours sounds now by the way, I get it's not the sound you were after but to my ears it sounds great as it is. The approach for those songs is very different to the approach he's taken on yours, your reference tracks are cleaner, with less time based effects and more compression to fill up the space, in yours there's a lot more saturation from the reverb.īear in mind that he can only mix what you give him too, your drums are totally different to your examples and that's where a big part of the vibe comes from. Play him the sound you're going for if you have something in mind, it's all about relaying what's in your head to him and the quickest way is with a reference track. Is it purely an EQ'ing thing, or would side-chaining help breathe space that I'm after into these mixes?ĭid you play the examples to the mixing engineer? I can see that your examples have a warm, deep sound, and also that the track he's mixed has a warm, deep sound, and that the two sounds are a very different aesthetic, because "warm, deep sound" is a vague instruction. I know David Wench has mixed Jungle and Jamie XX, and mixes completely in the box so I know that "warm sound" I'm after isn't a case of just using outboard/analog hardware.Īny mixing techniques or advice that I can use to achieve that "warmer, less harsh" sound? You can probably see what I'm going for, but to my ears, there are some "harsher" sounds, which I imagine is frequencies towards the top end?Īlso, I'm using a mixture of outboard and in the box sounds. I'd like to give some more direction to the mixing engineer for my next few releases to achieve the sound I'm after.

So currently I've been producing tracks at home and then taking them to a studio to mix. It's usually guitar based music with electronic elements.

So I'm guessing a well mixed low end, and some frequencies in the top end are rolled off and only used for emphasis. I'm new to production and mixing so apologies for the non-technical descriptions that will follow.Īlot of the music I'm trying to emulate (mixing wise) has a "warm, deep sound".